I didn’t hear this track until it popped up on Australia’s famous Triple J countdown of the best songs of 2016 and I sure am glad I tuned in. A guy from Seattle and girl from Canberra created an entire album through collaboration, sending parts back and forth to one another for years. This is my favorite by the duo, but the album is quite good as a whole. The layering and vocal edits are exquisite and every time I listen I uncover another synth layer or drum fill that I didn’t catch on the last listen. With so much happening in the background the track never comes across as messy or sonically clogged. Impressive is all I can say.
Maggie Rogers who gained fame online for seriously impressing Pharrell in a NYU guest musical lecture has released the track that got both Pharrell and the online world’s attention. It certainly has character, and the uniqueness that so many heard on the initial video still holds true after some further mixing and mastering. I’ve included the video that brought her fame first, followed by her more recent release of the same track.
I feel like Tiesto did very little for this remix, and yet it’s all that was needed to make it perfect. It’s annoying when you hear so little created or added, and yet it’s the perfect touch so I can’t argue with the minimalism. Either way, if you’re outside of Britain you may not know this story. Essentially Calum Scott did his own slower re-work of the Robyn classic as his audition for Britain’s Got Talent (right after his sister was denied) and soon enough had his own release of his version of the song followed by a Tiesto remix which just was the icing on the musical cake. I’ve included his initial Britain’s Got Talent audition as a reference to how this all came about. There really isn’t any doubt that you won’t like the track either, it just works…and it’s even better than the original. Sorry Robyn.
I’ve loved every film John Carney has written and directed. His forte is writing and directing independent films based around relationships built on music and musicians. If you’ve not heard of him, check out “Once” and “Begin Again.” His latest, “Sing Street,” is no exception to his style and my favorite song off the soundtrack is the last one you’ll hear in the film. It sums up the storyline and captures the emotional ending beautifully. Enjoy!
The latest from Swedish pop mastermind Max Martin. From “I Want It That Way” by the Backstreet Boys to this, Max Martin is the hidden producer behind almost every singalong pop song you’ve grown up with. Don’t believe me? Look him up. He’s created more pop singles than anyone in history. Period. His latest pop masterpiece, like all the ones that came before, is a catchy, funky and very, very danceable pop anthem.
Final Song isn’t even this Danish singer’s most popular song. You probably know her as the singer from Major Lazer and Dj Snake’s massive hit “Lean On” or maybe her first main single “Kamikaze”. Either way, her latest single is my favorite so far and proves to me that she’s not planning on being a one hit wonder and you’ll be hearing more from her in the future.
I’m not a huge Adele fan, but when I heard this track is just stuck with me. There’s something about it that I haven’t been able to put my finger on but it’s captivating. I’ve also included a half decent pop cover version by a group called Against The Current.
These guys can do no wrong lately. They are just killing it with every music direction and genre they turn towards. This is a house/indie-dance/pop/RnB track that just hit the slow dance movement on it’s head. I keep hitting repeat on this one as I keep finding new subtle gems on each listen. Picture yourself dancing to this at a house party with a new girl or guy and having a raucous good time. That’s the image I’m seeing right now.